This article is aimed at the advancing jazz saxophonist. While not going into too much detail on any particular topic, I wanted to give an overview of how one might develop fluidity in non-diatonic sounds. I feel that the following concepts can provide ample material for the improviser who is looking to expand their harmonic/melodic vocabulary. It should be stated that having a good sound, time feel, and technical agility is our primary goal. No amount of advanced harmonic techniques can cover for a deficiency in the basics.
Kenji Omae
—
22 October 2021
Share on facebook
Share on twitter
Share on linkedin
Share on reddit
Share on whatsapp
Share on email
Join to see the full content
Get access to this exclusive content plus all the benefits of being a member